The Rocky Horror Picture Show has always been something of a guilty pleasure dating back to my days as a teenager appearing in am-dram musical revues inspired by it because the performing rights were always strictly reserved for professional productions until March 2000.
The original stage show opened in London in the summer of 1973 at the Royal Court’s Theatre Upstairs which ironically only seated 63 people as the subsequent 1975 film adaption has the record of the longest-running theatrical release in cinema history and now must have been seen by audiences of countless millions worldwide ensuring its on-going cult following.
Having watched the film religiously as a kid on worn out video tape and owning at least 3 versions of the soundtrack on vinyl by the time it came out on DVD marking its 25th Anniversary in 2001 I had turned 30 myself and now held it somewhat in contempt, a dirty little secret from my past that I was ashamed to have invested so much time in; Simon Pegg articulated my feelings exactly in the second episode of Spaced – “It’s boil-in-the-bag perversion for sexually repressed accountants and first-year drama students” and for the best part of a decade I have put it out of my mind.
However, my wife is an occasional Glee watcher and by chance I saw the recent Rocky Horror Show themed episode marking its 35th Anniversary and release on Blu-ray and I found my interest curiously reawakened enough to want see whether a hidef revamp would radically improve the notoriously low-budget, almost home movie quality of the film. I also wished to revisit it to gauge whether it really was morally unfit for the saccharine sweet and virginal members of Glee Club as the series producers would have you believe or whether this was merely an affectation in an attempt to preserve its ‘kinky kudos’ for future generations of camp devotees.
I am happy to report that the 1080p MPEG-4 AVC encode is remarkable, bearing in mind the last time I saw Rocky Horror was on video; the thing that always strikes me most is the impact of the reds and Patricia Quinn’s now trademark lips in the opening credits have never looked so succulent. The DTS-HD 7.1 soundtrack doesn’t fare quite so well, whilst it marvellously showcases the songs the dialogue in comparison seems thin and tinny but luckily there is also a Dolby Digital 2.0 mono track which I found to be preferable.
It’s worth noting the wealth of extras here, a fine commentary from writer/star Richard O’Brien (Riff Raff) and all of the featurettes from the 25th Anniversary DVD are included, but the stand out hidef exclusive is the Picture-in-Picture ‘shadowcast’ who re-enact the entire show shot in glorious 1080p/24 HDCAM with the option to toggle the inset to fill the screen; this is what the Glee episode should have been like instead of an insipid homage that seemed to miss the entire point of the original by replacing the more risqué lines from the songs with banal alternatives.
I hope the Glee version inspires new audiences to discover what it was about The Rocky Horror Picture Show that appealed to me as a teenager, it encapsulates both a sexual awakening and a loss of innocence and if nothing more encourages young, inquiring minds to think outside the box and embrace diversity, in short to live by the pithy end refrain “Don’t dream, Be it”.
It also captures Tim Curry’s outstanding charismatic star turn as the gender bending alien Dr. Frank-N-Furter and benefits from the inclusion of Barry Bostwick and Susan Sarandon as the naïve All-American couple, Brad Majors and Janet Weiss. I suspect it’s yet another symptom of hitting 40 but having spurned it for so long I did feel a genuine warm glow of nostalgia whilst watching but not enough to make me want to get up and do the ‘Time Warp’ again.